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Mulholland Drive, the film directed by David Lynch, is a neo-noir thriller that centers the concept of queering the femme fatale. When the film debuted in , queerness and especially femme-for-femme queerness had reached peak fascination in mainstream straight culture. The figure of the femme fatale is itself a focus of fascination, no matter our gender or orientation. Is Los Angeles itself a femme fatale?
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The importance of “Mulholland Drive” in Sapphic cinematic history

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Unlocking the Lesbian Noir in David Lynch’s ‘Mulholland Drive’ | Hornet, the Gay Social Network

Global Queer Cinema is a collaborative research project engaged in investigating queer film cultures from a global perspective and analysing world cinema from a queer point of view. You can read more about it here. Rita is amnesiac, hiding desperately in the apartment in order to escape some terrible, possibly fatal, trouble following a car crash on Mulholland Drive. Rita is a voluptuous femme fatale in both physical and psychic danger.

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The story of Rita and Betty has startled and confused audiences for 14 years. Betty attempts to help Rita figure out her identity and they grow close through the process, eventually sleeping together in a very passionate scene of connection. Viewers of Mulholland Drive are unraveling the mystery with Rita and Betty, looking for clues that might have been overlooked, some, like Melissa Anderson of ArtForum , seeing the film an upwards of 20 times. This madness leads Diane to hire a hitman to kill the object of her affection. There is no explanation.
David Lynch can be a difficult director. He regularly leans on stylized set pieces and flawless performances from his actors to create a tableau that's visually compelling, but isn't necessarily about anything. Call me a brick-headed Philistine, but I think Mulholland Drive is exactly this type of entry in Lynch's filmography.
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